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Although most would probably best know Dutch avant-metal madman Mories for his notorious blackened industrial/orchestral doom outfit Gnaw Their Tongues, he's also been involved with a number of projects that one could describe as being rooted in a much more recognizable black metal sound. One of 'em is Cloak Of Altering, a project that Mories started in 2011 as a continuation of his earlier black metal band Ophiuchus.
The previous Cloak Of Altering albums explored Mories's fascination with the early symphonic black metal of In the Nightside Eclipse-era Emperor and Arcturus's early efforts, as well as the more fiendish and fractured forms of industrial black metal as practiced by the likes of Dødheimsgard. Each new release has moved deeper into stranger and more mutated realms of electronically-damaged symphonic black metal, though, and with Cloak Of Altering's third album (and first for Crucial Blast) Plague Beasts, Mories delivers a ferocious affront to black metal form and structure, combining his otherworldly strain of sweeping symphonic black metal with bursts of intense electronic chaos, waves of nebulous synthesizer and spastic rhythmic violence that, at times, feels more like something you'd hear off of a Planet Mu 12. CRUCIAL BLAST

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